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Affinity groups offer a platform for voices often relegated to the margins.

Artist, author and educator Gene Luen Yang speaks with LFJ (formerly Teaching Tolerance) about teaching, comics and the importance of diverse characters.

The editor of Teaching Tolerance writes on critics' objections to the magazine's treatment of gay and lesbian issues

It’s not that hard to stick out in middle school. The unspoken code of social conduct is unyielding and inflexible. Anything outside of those narrow parameters is weird, and weird makes kids uncomfortable.

I was putting my 6-year-old son to bed recently when he excitedly announced that he was going to be in the school play. “Peter Pan,” he said.

In order to enhance my sixth-graders’ ability to connect personally with topics we read about in class, I assigned a writing assignment. I ask students to make real connections to demonstrate their understanding of the topic. There are three areas of connection. First there’s the connection to their lives, then to another piece of literature and finally—the most sophisticated connection—to the world.

This week as the 10th anniversary of 9/11 approaches, I plan to gather my third-, fourth- and fifth-graders around me. I will tell them, "Our country is a beautiful place." I’ll keep this in mind as I think of the moments when we were clearly afraid.

I broke a toe recently. Woke from a deep sleep, ambled around my apartment for just a few moments and then thump! I hit my foot on a piece of furniture. As I hobbled around in the days that followed, lost in the effort of just getting about, I thought “this is what it must feel like to be old.” And then—“this is what it feels like to have a disability.”