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Veteran teacher Dottie Blais writes openly about a question that too often is left unspoken and unanswered: How does a teacher's whiteness get in the way of successful multicultural education?

Policies and practices that favor incarceration over education do us all a grave injustice.

Study circles help students talk constructively about race.

My third-period students rushed in at the start of class, wide-eyed and excited. Something had happened. “Quentin hit Ms. Combs!” Helen Combs was my friend. She taught language arts. “He knocked her down,” one student reported. “They took her to the hospital, and the police took him away in handcuffs!”

Walter Sherrill made chemistry cool. He was the sort of refined man who seemed to glide across a room. His voice never rose above a quiet tone, and he wore a mostly stern expression on a peaceful countenance as he explained scientific equations. I cherished the rare times he smiled—or on occasion—chuckled at the ludicrous conclusions of his high school students.

If race is a social construct, what’s up with DNA ancestry testing?

Shrinking there on the stool in the science classroom, I just want to gather my ungraded quizzes and my dignity and flee to freedom. But, I don’t. I sit there, paralyzed by the assault. “We are not your enemies,” I finally counter. “We are not Blake’s enemies.”

My curls tickle my face. My fingers feverishly sort though papers. I make last-minute decisions for the day. A former student, who stops by every day, chats by my side. It’s 7:30 a.m., and I’m depending on Folgers to usher me into a coherent state when I hear this student say, “Mrs. Yahn, ever since your class last year, I just can’t stop talking. I used to say nothing in class, but now I talk all the time. You taught me that.”

After learning that a group of mostly African-American women was removed from a wine train for allegedly being too loud, this teacher reflects on how similar dynamics affect students in classrooms.

A young language arts student teacher directed her class to “close your eyes and imagine what your characters might look like.” I was observing her second-ever presentation to one of the classes where she would practice-teach for the next few weeks. “Details are very important in descriptions,” she continued, “but you can’t write about them if you can’t see them. Maybe you want to write about a beautiful young girl. Think about the details. She’d have big blue eyes and long blond hair, and her hands would be slender and delicate.” As she spoke, I watched her seventh-grade students. They represented the lower-middle-class school’s racial and ethnic mix pretty well: About half of them appeared to be Hispanic, almost a third could be considered African-American and the rest looked Caucasian. I didn’t see a blond hair or a blue eye among them. Most also had round, soft bodies.