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It is Montgomery, Alabama, in 1955. An African American woman boards a city bus downtown. She sits down in the first available seat. When white passengers begin boarding, the bus driver orders her to get up and surrender

The whine of the projector subsides. Someone clicks on the lights. As the professor asks for commentary, the rapid raising of hands signifies an eagerness to respond. I remain still. Listening to my peer’s criticism of the Appalachian people featured in the made-for-TV special, I am humiliated.

Minnesota youth and elders turn life histories into song.

Whenever I see a movie about teachers, I get a little nervous. I wonder how my profession will be represented. I’m always curious, but usually disappointed. I have found that on-screen teachers tend to perpetuate two frustrating stereotypes about the profession. The first is that anyone can teach—or worse—“those who can’t, teach.” There’s a misconception that teaching requires no special skills or talents beyond a basic knowledge of the content area. The other stereotype is teacher as martyr-saint. This portrayal assumes that the one qualification for being a good teacher is a heart of gold, a willingness to sacrifice everything out of love for children. Most films ignore the complexity of the craft of teaching. This makes me cringe.

This toolkit for “Native Voices, Native Votes” charts a five-step plan for how educators can increase students’ knowledge about the history and current state of the Native vote.

Memphis families remodel the concept of home schooling.